Plus One
Three college friends go to the biggest party of the year, each looking for something different: love, sex and a simple human connection. When a supernatural phenomenon disrupts the party, it lights a fuse on what will become the strangest night anyone has ever seen. As the three friends struggle to find what they’re looking for, the party quickly descends into a chaos that challenges if they can stay friends or if they can even stay alive.
Director: Dennis Iliadis
Executive Producer: Brothers Strause, Edson Williams
Producer: Tim Perell, Dennis Iliadis
Screenwriter: Bill Gullo, Story: Dennis Iliadis
Cinematographer: Mihai Malaimare Jr.
Principal Cast: Rhys Wakefield, Logan Miller, Ashley Hinshaw, Natalie Hall
There isn’t much info on the movie. Everything is under wraps. Only thing I can be certain of is that it’ll be R-rated and have ‘scenes of that nature’ according to vague assurance through an e-mail contact. Greek director Dennis Iliadis has a good track record when it comes to nude scenes. Plus (see what I did there) the flick arguably has the most attractive bunch of actors in a mainstream movie this year. Wouldn't it be nice to have someone in the MPAA to provide infos on latest flicks? Rated-R for "Ashley Hinshaw and her perfect chesticles".
Executive Producer: Brothers Strause, Edson Williams
Producer: Tim Perell, Dennis Iliadis
Screenwriter: Bill Gullo, Story: Dennis Iliadis
Cinematographer: Mihai Malaimare Jr.
Principal Cast: Rhys Wakefield, Logan Miller, Ashley Hinshaw, Natalie Hall
There isn’t much info on the movie. Everything is under wraps. Only thing I can be certain of is that it’ll be R-rated and have ‘scenes of that nature’ according to vague assurance through an e-mail contact. Greek director Dennis Iliadis has a good track record when it comes to nude scenes. Plus (see what I did there) the flick arguably has the most attractive bunch of actors in a mainstream movie this year. Wouldn't it be nice to have someone in the MPAA to provide infos on latest flicks? Rated-R for "Ashley Hinshaw and her perfect chesticles".
Other contenders in a film filled with mega hotties including possible nudity first-timers:
23-years old Canadian actress Natalie Hall (of Pretty Little Liars fame) plays Melanie. This is her first R-rated effort. Natalie is very much a Lifetime kind of actress so boobies from her will be icing on my cock. In fact she been inching slowly towards more cleavage-baring roles (did you guys catch her on last week CSI?) after experiencing real-life sexual awakening on the set of Plus One according to my trusty gossip-mongers in Atlanta, Georgia. Yep. She's been naughty. Hopefully Iliadis worked her over so well that we maybe go beyond quick flash of tits to a lengthy sex scene with Natalie totally nude.
Southern sweet-heart Lilly Roberson exact role is undetermined so far. The 19-years old Georgia native is a rising star and a gratuitous nude scene could help boost her career in very much different and edgier direction. I like girls with flower names. Hippyish and 'expressive'.
another Georgia-native 29-years old April Billingsley is Brenda in the movie. Unfortunately for us guys, vivacious babe plays for the other team in personal life. April B:
I just got back from LA where I was getting my face scanned for some special effects shots in "Plus One," the film I'm in that wrapped up principal photography back in July. They flew me and a couple of my fellow actors in the film to LA and put us up in a lovely place on the beach in Santa Monica. The next day we taped our performances for the special effects team in this really schmancy contraption. So schmancy, in fact, that we weren't even allowed to take pictures! I won't spoil anything in the movie by telling you what the effects are, but suffice it to say that you haven't seen anything like it before.
22-years old Chrissy Chambers plays Kitty. According to her this is her first principal role in a major feature film. One hot lesbian - a recent convert. And in my homophobic world, all attractive carpet munchers likes to get naked at some point.
24-years old pro-am model turn actress Hannah Kasulka in a small role; fencing with Ms. Hinshaw. My fantasy: a lesbian sex scene with Ashley in the shower after the heavy workout. Booked a recurring role on True Blood and keeping fingers crossed for possible nude scene. Blue-eyed Hannah did mentioned on her tweeter she was running low on cash and any chance to work is a bonus. If she does show her tits, take a little time to remember this guy.
23-years old Cait Johnson lives in Atlanta. Very much a regional actress.
27-years old petite red-head Valyn Hall is also from Georgia. Amazing green-eyes. Check out her twitter account. Her role in the flick : "Tracey's friend"
And this is Tracey : newcomer Chelsea Hayes. Unable to find any info on the blonde babe.But methinks nudity should come from :
Peach state born-and-bred Marla Malcolm and other secondary including non-speaking female characters.++++++++++++++++++++++++++++++++++++++++++
HitFix First Look: 'Shameless' star Emmy Rossum on Fiona's day in court
An exclusive video and a chat with the Showtime drama's leading lady
Emmy Rossum is giving one of the best performances in all of television as fierce, wounded Fiona Gallagher on Showtime’s “Shameless.” She’s working for a network that has had a lot of success at promoting its actors for awards the last few years. Oh, and she has the word “Emmy” right there in her name. Yet despite this, Rossum and “Shameless” haven’t so much as sniffed any Emmy love as yet. Not even her two-time Emmy-winning co-star William H. Macy got a nomination for either of the series’ first two seasons.
Maybe it’s because it’s hard to categorize “Shameless,” which has both extremely serious elements (a family trying to cling to the poverty line, dealing — either personally or through friends — with substance abuse, violence, incest and more) and comic ones (many of these subjects are played for laughs at times). Maybe it’s because the low-class, dirty nature of the Gallaghers and their lives are a turn-off to awards voters. Maybe Emmy voters simply don’t like to give headline writers an easy task now and then.
But Rossum continues to be great on “Shameless,” playing the one Gallagher who holds the family together, and she’s been especially strong in what’s arguably been the show’s best season yet. A recent story arc involved Macy’s degenerate drunk Frank Gallagher calling social services on his own kids out of spite, resulting in the family being split up — some to dire circumstances, like Debbie (Emma Kenney) being sent to a foster home that seems more like a prison — while Fiona scrambles to reunite her siblings under one roof.
Sunday’s episode (it airs, as usual, at 9 p.m.) provides the sort of showcase that could win Rossum an award or three if anyone who gives out awards were to notice. (Some spoilers follow.) Fiona, having discovered that it was Frank who called social services, has finally had enough of this man having any say in the lives of her and her siblings, and decides to go to court to protect the family she’s been running for years. In the clip embedded at the top of this post, Fiona makes her plea to the judge for why Frank should be kept away from the kids.
It’s a superb scene in what’s been a terrific season, and I got on the phone recently to talk to Rossum about this year in the life of the Gallaghers.
When you get a big meaty monologue like the one in this episode, how do you, as a performer, approach that? What was your reaction when you got that script?
Emmy Rossum: Well, these are characters that are dealing with poverty and dealing with alcoholism and homosexuality and everything. And it's a dark story that generally we tried to treat it with some levity, and that's showing a very resilient family. And Fiona's a very strong character. But this is a situation where William H. Macy's character, Frank, has really reached a whole new level, a whole lower bottom. He's basically taking his own children and taking them away from Fiona, who's essentially their mother, really. And so I tried to approach it from a story perspective. We know that she's been in court fighting for these kids before, and that the accusations against the family are really bogus. And her having to say aloud the things that you always know about how horrible her father is to her and to her family, having to verbalize the abandonment and the hurt in order to persuade the judge, is something that I don't think she's ever done. So the monologue is about admitting the shame in the fact that your parents have abandoned you and don't care about you, and saying that in a courthouse to a judge and where people are supposed to be upstanding citizens, and you’re feeling like you're dirt. It's a very difficult thing. So I tried to tell the story as simply and honestly as possible, and I think about my own situation with my father who abandoned me and my mother when I was a child. So although I don't know him very well, there was definitely some poignancy in that kind of a story to me.
Frank is an unrelentingly horrible human being and that's been something that Fiona has witnessed for much of the series. What is it about this particular circumstance where his behavior so far over the line that she's finally willing to say these things and commit to this kind of legal action?
Emmy Rossum: I don't think she has a choice at this point. She has to do this to get the kids back under one roof. Because you want them to get better, you want to be a family. I think there's a longing in that for her, in her and in all the kids for Frank to get better, to get clean, but at the end of the day, Fiona is a mother lion and she will do anything to protect these children and she knows that she is the only one who can protect them. And the fact that he has called Social Services on his own children is really a new low. He has jeopardized their safety, and she will do anything to get them back and to keep them safe. There's such nobility and strength in the female character, it's really amazing how they write her.
Are there ever times in the past where you've read a script and Fiona or one of the other kids is allowing Frank back in to the house or back into their life or believing something he's said and you said to yourself, "Really? Would she really go along with this given everything that she knows about who he is and what he's done?"
Emmy Rossum: Yes, but then I realized that where Fiona's mother has completely abandoned them, Frank always comes back. I think that there is some forgiveness in that — in the fact that he is a selfish bastard and a junky, a horrible person, but I think underneath it all he comes back — and I think there's something in that kind of twisted loyalty that gets her. And I think that she wants to believe that he'll get better one day, and I think that there's a little part of her inside that is still a little girl that wants affection and approval from him, and I think that's only a natural instinct. So as times when I feel like, “Well, I can't believe Fiona would be letting him back in the house after X-Y-Z,” I try to put my own judgment on that action off of it and just focus on how she would deal with it.
One of the big threads leading up to this is the tension between Fiona and Jimmy. He feels that she is not empathizing enough with his problems, and she feels that his problems are small potatoes compared to her family’s, and it goes back and forth between who seems to be apologizing in any given moment. Obviously, Fiona doesn’t know at this point about Jimmy’s wife, but do you feel she’s justified in her side of things, do you think that he maybe has a point?
Emmy Rossum: The bottom line is we're dealing with a romantic relationship with people who come from completely different worlds. Jimmy is a privileged guy who doesn't need to work and Fiona works nine jobs to support these six kids. Jimmy's obviously reeling with the news that his parents are getting divorced; his mom's an alcoholic and his dad's gay. But essentially, Jimmy's a rich kid whose dad's gay and his mom drinks a little. We've got Fiona whose family has been completely torn apart, who has no mother, who has a horrible father, who has put all of their lives in jeopardy and she's picking up a body in the backyard of her house that her father buried. Comparatively, I think that I would side with Fiona because these problems are pretty incomparable.
You said before that it's a privilege as an actress to get material like this. There aren’t a lot of roles — especially for an actress of your age, as opposed to someone who's been around the block for quite a bit longer — that are really this meaty and give you as much to play both in terms of drama and in terms of comedy as you get to so consistently do for these three seasons. How does it feel to have this character and have this showcase to play her?
Emmy Rossum: It's a blessing and I just thank my lucky stars that I had a good audition, because the material is top notch week after week. The dialogue is good. They let us inhabit these roles and make them our own. They give us the guidance and the support to create something that I think is unique and funny and dark, and we get to deal with these big issues and deal with these dramatic storylines that have the brevity too.
What do you remember about that audition?
Emmy Rossum: How much I wanted it. How much I wanted and loved this character. How much I could see the potential in her of what she could be and what she could become, of what she is becoming. When you're dealing with the character with so much pain, but who is so resilient time and time again, it is so fascinating to play and energizing and thrilling. And I feel very lucky. And as a woman in television, you're seeing these parts on television that are now written for women that really don't exist in film as much. It's a really a luxury and I am grateful and don't take it for granted.
And you so rarely get a juicy monologue where people writing for you that it feels it often times that our show is written like it could be anything. You know, if you want to find the funny in it, you can find the funny. If you want to find the catharsis in the same, you can find that. It's very varied and our actors are really smart and invested in playing the truth, and if that truth makes you laugh that's great. If that truth makes you cry, if it makes you horrified, that's great. I think people are sometimes a little scared of our show, to be honest, because they hear a lot about how graphic it is and I think that it definitely is. I think we try to show love and child services and alcoholism and sex in a graphic real way, and I think that when you're showing poverty like this, it gets graphic. So I don't shy away from that; I'm in fact proud of it and I think that it's an interesting thing and we're just different. So I'm glad that we're finding our audience and that that's growing because I think people are sometimes a little scared of the content. It's tough content.
As someone who has to play some of this tough content, was there a point at which you came to terms with the idea that, “Okay, they're going to keep throwing these scenarios at us and we're going to have to play them,” or did it never trouble you at any point?
Emmy Rossum: Yeah, but there's push backs that we have as actors, too, to say, “No, I don't think my character would do that” or, “No, I don't think this is believable” or, “Can we try to play this in a different way?” or “I don't think this is right. This is too far.” So we do have voice. Actors have a voice. It's our job to bring it to fruition and bring it to fruition believably. So it's our job to say when something rings true with us or it doesn't, especially after we've lived these characters viscerally for three years now.
But at this relatively late date, do you ever read scripts and you know your jaw drops and you said, "Oh, my God. I can't believe that this a thing that's happening on Shameless."?
Emmy Rossum: Well, it's the title of our show. We're called “Shameless.” We're bold and we're in your face and we're intense and we're proud of it. And I think that there is something to be celebrated 'cause we're different than every other show because of it and John Wells certainly doesn't shy away from that. He writes a lot of it, so there you go.
Obviously, you've got this very serious storyline that's going on right now, but the other thing that Fiona had been dealing with recently is the job at the supermarket. And that's a fairly straight-up comic storyline for you, when you don't necessarily get to go to quite that comic of place all the time on the show. How was that experience for you?
Emmy Rossum: It was strange because it was the one storyline that I wasn't sure was actually going to work. I have never been in a situation where I was the victim of sexual harassment to this ridiculous extent. So I wasn't sure that stuff like this actually happens, but these episodes have started to air now and people are writing on Facebook, on Twitter, writing letters like, “This happened to me. Thank you for making this funny. Thank you for bringing this to light.” It's just strange that you can show these kind of heightened scenarios and that it resonates with people. So it was definitely a comically kind of comic ode to a Norma Rae moment.
There was a lot of reacting to this disgusting boss who's sexually harassing all the girls in the supermarket, and I guess I can imagine that that exists. So I just had to play that. And I try to play even the comic situations realistically. And if you get the laugh, you get the laugh, but I never try to play for the laugh.
++++++++++++++++++++++++++++++++++++++++++stoner Emily Ratajkowski is making a her debut in the international market with this new photo shoot for GQ Turkey shot by Tony Kelly.
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Screen nudity - and the accidental email that even shocked my very liberal dad, by ANNA FRIEL
- Anna Friel accidentally showed her father pornographic images
- They were research for her next role as Jean Raymond, wife of porn baron Paul Raymond
20-years old Latvian model Laine Rogova: at the moment I am kind of in a Winter Wonderland. With sparkling snowstars all around me. Well, there is no snow at all in this sublime story I wanna show you today – yet “Winter at the desert” does certainly make anything around it melt. L.A. based photographer Lotus Josephine has by all means done an amazing job to capture adorable Laine.
Almodovar Says Upcoming Comedy 'I'm So Excited' Promises to be Risque
By Pamela Rolfe | The Hollywood Reporter MADRID - Pedro Almodovar's upcoming comedy I'm so Excited promises to be one of his most racy, the Spanish director said in the first in-depth interview on the film Saturday.
Almodovar said the film serves up more than just laughs and "has a certain melancholy." The ensemble cast features Penelope Cruz and Antonio Banderas, along with Paz Vega, Javier Camara, Cecilia Roth, Pepa Charro, Blanca Suarez, Hugo Silva, Antonio de la Torre, Lola Duenas and Miguel Angel Silvestre.
The film, which will be release in Spain March 8 and in the U.S. on June 28, is shot in an airplane that encounters technical failure and watches as pilots and crew farcically try to set aside their own problems in the face of imminent danger to entertain and comfort passengers.
The director said would Excited would "affect a lot of bisexuals," but only shows heterosexual sexual relations on camera because "it's much more fun to talk about sex that to do it. And that's from someone who has shot some of the most explicit scenes. You can see it in people's eyes."
The two-page article addressed a range of issues, including Spain's most international director's opinion on the Spanish Academy's Goya Awards ceremony two weeks ago-- "[Culture Minister] Jose Ignacio Wert shouldn't have gone to the ceremony. In the end of the day, he's the bane of the sector."
Almodovar also spoke about the gloomy economic situation in Spain, the superiority complex of the rich, the social freedom and sexual liberation of the 1980 and political scandals that have come to light in the Spanish press.
But true to form, Almodovar speaks openly about the controversy his film may stir up.
"Controversy means people are alive. In any case, nowadays controversy means something else. A lot of taboos have changed."
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18onlygirls presents a Dirk Milton film.
Go behind the scenes with the 2012/13 Boston Celtics Dancers and photographer Brian Babineau on the teams first swimsuit calendar photoshoot.
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Sudanese model Grace Bol, French model Awa Ceesay and Ivorian model Alima Fofana: Markus Jans [Tush Winter]2012/2013
18onlygirls presents a Dirk Milton film.
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Koreans should be pleased with the results –the country brand is strong enough that other ethnicities get credit for being Korean when they’re not.
At least he has the one pair of sharp guys that nail every question –even the one about Mr. Miayge.
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How’s your knowledge of famous Asians?
There’s another one of those videos featuring knowledge-rich Americans wrongly responding to questions –not of the world this time, but mostly pop culture. One of course wonders: were the participants all random picks or did the author edit in the biggest knuckleheads? (Kim Jong-il, Japanese? Come on, really?)Koreans should be pleased with the results –the country brand is strong enough that other ethnicities get credit for being Korean when they’re not.
At least he has the one pair of sharp guys that nail every question –even the one about Mr. Miayge.
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bikiniteam.com - Checkout the past year at BikiniTeam.tv in this trailer we made to celebrate the launch of our new BikiniTeam.com website. See some of the hottest bikini models on the planet during their photo shoots with us. Featured in this video are swimsuit models Raquel Gibson, Shelby Chesnes, Samantha Harris, Michelle Baker, Lara Leverence, Jaquie Ohh, Heather Widle, Michelle Sacco, Dennii, Kari Gibson, Britton Hart, Diana Grant, Gia Macool, Camila Bau, Heather Bryant, Andressa Lopes, Candace Galek, Susana DaCosta, Janet Love, Romina Quintana, Jenn Mulligan, Kriss Cunningham, Maisa Farina, Lauren Schwab and Krystal Ochoa.
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Melissa King : California Dreamin', Diamond State Nightmare
Heartbreak led to porn. Her last day in high school (May 18). The very next day she was on flight to become a porn performer. Honestly don't know what was going through Melissa head when she felt sucking cock on-cam was the only option to seek validation and revenge on her ex. And not forgetting the financial reason.
Twitter is Melissa's emotional catharsis tool in many ways.......
Melissa King isn't only guilty of making a porn video. The former Miss Delaware Teen USA has resigned her crown amid her sex tape scandal, but it turns out she also has warrants out for her arrest in Ocean City, Md.
The Associated Press reports that King was cited in June 2012 for "allegedly stealing money from a city bus fare box." She later was cited in August on a charge of underage possession of alcohol. King failed to appear in both cases, and a warrant was put out in August for the theft case and in October for the alcohol case.
No wonder King allegedly turned to porn to try to make some quick cash. The company that she posed for, GirlsDoPorn.com, says she approached them and only made $1,500 out of the gig. When asked by a cameraman in the video snippet that has surfaced why she was opting to have sex on camera, the woman who seems to be King says she needed the money.
The video was reportedly filmed prior to King winning Miss Delaware Teen USA in November, so the timing does line up with her other troubles. Fortunately, if it's money King needs, then it's money she can get, as YouPorn has offered her a $250,000 contract to be "Miss YouPorn." She would have to tour the world in the site's name, but wouldn't have to have sex on camera. Not a bad trade off, all things considered.
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Melissa King : California Dreamin', Diamond State NightmareHeartbreak led to porn. Her last day in high school (May 18). The very next day she was on flight to become a porn performer. Honestly don't know what was going through Melissa head when she felt sucking cock on-cam was the only option to seek validation and revenge on her ex. And not forgetting the financial reason.
Twitter is Melissa's emotional catharsis tool in many ways.......
Melissa King: Warrants out for former Miss Delaware Teen USA's arrest
Melissa King isn't only guilty of making a porn video. The former Miss Delaware Teen USA has resigned her crown amid her sex tape scandal, but it turns out she also has warrants out for her arrest in Ocean City, Md.The Associated Press reports that King was cited in June 2012 for "allegedly stealing money from a city bus fare box." She later was cited in August on a charge of underage possession of alcohol. King failed to appear in both cases, and a warrant was put out in August for the theft case and in October for the alcohol case.
No wonder King allegedly turned to porn to try to make some quick cash. The company that she posed for, GirlsDoPorn.com, says she approached them and only made $1,500 out of the gig. When asked by a cameraman in the video snippet that has surfaced why she was opting to have sex on camera, the woman who seems to be King says she needed the money.
The video was reportedly filmed prior to King winning Miss Delaware Teen USA in November, so the timing does line up with her other troubles. Fortunately, if it's money King needs, then it's money she can get, as YouPorn has offered her a $250,000 contract to be "Miss YouPorn." She would have to tour the world in the site's name, but wouldn't have to have sex on camera. Not a bad trade off, all things considered.
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